Three Easy Steps To Advance Your Photography
Note: I wrote this a year ago, but am putting it out again for those who missed it. The great thing is that with our new AYP Club , we have the system to support what I talk about below, My offer is still good -MS
Last week we had a really smashing workshop at B&H, the mother-ship of all camera stores. If you’ve never been there, imagine a full department store dedicated just to photography and video. At 11 AM on a rainy Wednesday, the doors opened and the event space filled up fast and continued to fill until there was standing room only–every presenter’s favorite conditions. I was ready to charge out with education and inspiration, with the aim of advancing the group’s photography. Judging by the enthusiastic response from the crowd, I’d say we made some progress.
I love the feel of interacting with a “live” group, especially after concentrating on all the video interviews we’ve been rolling out. On the other side of that equation is the synergy of bringing the wealth of experience gained from the talented and deeply knowledgeable photographers I’ve been Hovering information from– we’ve got quite a storehouse.
Our plans have always been to connect my show Advancing Your Photography with our live workshops and add to the mix the heart of a real photography school–both in a live-physical state as well as on line for those who can’t make it in person.
So what do you say we get this party started, no matter how simple at first?
Okay, if you’re game, let’s get going: When I attended the San Francisco Art Institute, it was pretty simple. You were exposed to new ideas and information, and you got a lot of critiquing. Ah, the weekly moment of truth when you put your photographs up on the wall with push pins. Then the instructor would walk around those four walls with the whole class trailing and critique your work. Yes it really is that bare bones: learn, shoot and get critiqued–then go out and shoot some more! Sure there are variations on this but that’s the gist of the curriculum.
So if you’re abroad, let’s get going. What’s the first step?
1. Join our new AYP Club
Or log in if you are already a member. Be sure to fill out your profile.
2. Go to My Account –>Activity–>Personal and post your goals.
Where do you want to advance to with your photography? This can be as simple as “learn to take portraits” or more complex, but whatever you really want to go for, write this for yourself, and tell me by leaving a post.
3. Go to photo critique
Upload one of your photographs that you’re willing to get feedback on. I’ll try to give you a simple straight-forward response.
We’ll keep this up week after week: I’ll give you new knowledge to chew on, give you an assignment and you put up your work. We’ll feature the best each month and maybe even get some prizes for the winners, but remember we’re building this school together so bear with the process as we get rolling, be patient if we get behind a bit!
For those brave souls who are aboard, the only cost for now is your own willingness to get off your butts and do it! And if you like what we’re doing, spread the word. This is how we start our photography school right now and with your help we can keep building it—expanding our scope, curriculum and student body. No matter how crude and simple our beginning, our purpose is Advancing Your Photography.
But as of now school’s in session, who’s the first brave artist to step up and show me what you got?
Thank you a bunch for sharing this with all folks you really
understand what you’re talking about! Bookmarked.
Kindly additionally consult with my web site =). We can have a hyperlink exchange arrangement between us
I’d say you’re hitting it, very good shot!
I’d say you’re hitting it, very good shot!
Gordy– glad you found us, this is what we want to help with. The long exposure is quite effective
Gordy– glad you found us, this is what we want to help with. The long exposure is quite effective
I have long enjoyed photography, but all too often come back with a result that I don’t like. A shot that has underexposed shadow areas, or the depth of field is wrong. I have joined many clubs, websites, etc and am sucking up all information that I can. So when I saw this one, I thought it was perfect.
Feedback of course is the most critical. I have a photo 365 blog which gets lots of hits, but very little comments or feedback. The attached image is a technique that i have long admired and wanted to try. Unfortunately I had to crop it close as the waterfall was a local run off/retention pond, and not some majestic vista in a state park. I will be using this technique some more though when i come across interesting areas, and would appreciate the feedback on this image
I have long enjoyed photography, but all too often come back with a result that I don’t like. A shot that has underexposed shadow areas, or the depth of field is wrong. I have joined many clubs, websites, etc and am sucking up all information that I can. So when I saw this one, I thought it was perfect.
Feedback of course is the most critical. I have a photo 365 blog which gets lots of hits, but very little comments or feedback. The attached image is a technique that i have long admired and wanted to try. Unfortunately I had to crop it close as the waterfall was a local run off/retention pond, and not some majestic vista in a state park. I will be using this technique some more though when i come across interesting areas, and would appreciate the feedback on this image
My goal is to take good action/sports shots and perhaps sell some along the way.
My goal is to take good action/sports shots and perhaps sell some along the way.
not every day you get to see a unicorn being serenaded by a cowboy playing mandolin-er!
not every day you get to see a unicorn being serenaded by a cowboy playing mandolin-er!
My goal is to master my camera and light. Thanks for all your great videos Marc.
My goal is to master my camera and light. Thanks for all your great videos Marc.
very good keep shooting and stay in touch to AYP (advance Your photography)
very good keep shooting and stay in touch to AYP (advance Your photography)
Thanks Marc,
yes it was shot on film ILFORD FP4 125 with my old YASHICA fx-d (not a giant but “she” works).
I will study the tips and then apply them and let you know the improvements!
I was wrong, not one of yours previous posts. Sorry, but I’ve got so many photos in my folder “inspirations” (and most of them are yours)!
But, I have tried to reproduce your “fausto” photo but I was not so lucky with the exposure time! I will try again applying the lighting tips!
Thank you Marc for your help with this school! That’s amazing!
Thanks Marc,
yes it was shot on film ILFORD FP4 125 with my old YASHICA fx-d (not a giant but “she” works).
I will study the tips and then apply them and let you know the improvements!
I was wrong, not one of yours previous posts. Sorry, but I’ve got so many photos in my folder “inspirations” (and most of them are yours)!
But, I have tried to reproduce your “fausto” photo but I was not so lucky with the exposure time! I will try again applying the lighting tips!
Thank you Marc for your help with this school! That’s amazing!
thanks for the Goal and your photo. Not bad woudl be good to add more light here, even moving near a window https://www.silberstudios.com/videos/two-lighting-tips-photography
but you got the shot between shots, good work
thanks for the Goal and your photo. Not bad woudl be good to add more light here, even moving near a window https://www.silberstudios.com/videos/two-lighting-tips-photography
but you got the shot between shots, good work
Portraiture; all of it. Portraits are the most frightening photographs for me to make, but when done, the most satisfying.
This shot was easy, she’s a co-worker. I grabbed this quickly, in low light. I like the result, but I want a reality check.
Portraiture; all of it. Portraits are the most frightening photographs for me to make, but when done, the most satisfying.
This shot was easy, she’s a co-worker. I grabbed this quickly, in low light. I like the result, but I want a reality check.
your composition is very good, was this shot with film? yes some light on the subject is needed check out https://www.silberstudios.com/videos/two-lighting-tips-photography
Bravo on capturing the moment.
What post inspired it?
your composition is very good, was this shot with film? yes some light on the subject is needed check out https://www.silberstudios.com/videos/two-lighting-tips-photography
Bravo on capturing the moment.
What post inspired it?
goal: improve portrait photography (I think I have to focus on light management)
This photo was inspired from one of yours previous posts.
I think that the composition could be good but it lacks in light.
Thanks Marc!
Tommaso
goal: improve portrait photography (I think I have to focus on light management)
This photo was inspired from one of yours previous posts.
I think that the composition could be good but it lacks in light.
Thanks Marc!
Tommaso
Hey Jim, you’re getting there!
Hey Jim, you’re getting there!
ugh… stil stiff…
I’ll keep trying Mark. Thank you so much!!
Shots between the shots. Will do.
Thanks mark!!
ugh… stil stiff…
I’ll keep trying Mark. Thank you so much!!
Shots between the shots. Will do.
Thanks mark!!
Hey Jim, great on your goal. Good portrait but I might relook at the framing–cropped tight on right and cutting off her head– give her a bit more space 🙂 Also she’s a bit stiff, get the shots between the shots –listen to MJS https://www.silberstudios.com/videos/matthew-jordan-smith-fashion-photography
Hey Jim, great on your goal. Good portrait but I might relook at the framing–cropped tight on right and cutting off her head– give her a bit more space 🙂 Also she’s a bit stiff, get the shots between the shots –listen to MJS https://www.silberstudios.com/videos/matthew-jordan-smith-fashion-photography
goal: traditional portrait photographer.
Thank you Mark,
jim
goal: traditional portrait photographer.
Thank you Mark,
jim
my pleasure
my pleasure
Thanks a lot, Marc! It is very valuable to receive advice from you. I will try to improve in terms of storytelling 🙂
Thanks a lot, Marc! It is very valuable to receive advice from you. I will try to improve in terms of storytelling 🙂
never too late! Very interesting image, but the object on the left pulls my attention off the main subject. better to move in on her and develop your story.
never too late! Very interesting image, but the object on the left pulls my attention off the main subject. better to move in on her and develop your story.
I’m probably too late with my comment, but I’ll try anyway.
My goal is to learn how to create images that have depth and volume in them.
Thank you for your great website!
I’m probably too late with my comment, but I’ll try anyway.
My goal is to learn how to create images that have depth and volume in them.
Thank you for your great website!
Many thanks Marc. You’re welcome down here at Coolangatta anytime…bring your board. 🙂
Many thanks Marc. You’re welcome down here at Coolangatta anytime…bring your board. 🙂
you got it! very dramatic shot which I can relate to as a surfer 😉
you got it! very dramatic shot which I can relate to as a surfer 😉
Simple goal Marc ~ to shoot the most incredible seascape/landscapes while making a living doing it.
Simple goal Marc ~ to shoot the most incredible seascape/landscapes while making a living doing it.
Leo sorry to disappoint. We’re limited by doing this on line in a brief manner. I hope to perfect this process as we move along, but it’s different than being in front of you and discussing. Your images are not “bad” but from my end (and remember it’s still an opinion) need an emotional connection. There are tools that can help, such as how you are framing, getting the eyes in the image (see our last interview with Jim Goldstein), etc. The best advice I can give you is to find wildlife images that you really like, look them over and discover for yourself WHY you do– then look again at yours and critique yourself. then go out and shoot some more! I’d be apply to hear what you discover.
Leo sorry to disappoint. We’re limited by doing this on line in a brief manner. I hope to perfect this process as we move along, but it’s different than being in front of you and discussing. Your images are not “bad” but from my end (and remember it’s still an opinion) need an emotional connection. There are tools that can help, such as how you are framing, getting the eyes in the image (see our last interview with Jim Goldstein), etc. The best advice I can give you is to find wildlife images that you really like, look them over and discover for yourself WHY you do– then look again at yours and critique yourself. then go out and shoot some more! I’d be apply to hear what you discover.
Hmm… Marc, I don’t have the feeling that your advice helps me… there’s no resonance inside me (know what I mean?)
Maybe your replies to my questions haven’t been specific enough… or my pictures are just too bad…?
I don’t want to offend you, you have a great show you offer for free and also you reply to my messages for free. Maybe I’m just expecting too much.
Leo
Hmm… Marc, I don’t have the feeling that your advice helps me… there’s no resonance inside me (know what I mean?)
Maybe your replies to my questions haven’t been specific enough… or my pictures are just too bad…?
I don’t want to offend you, you have a great show you offer for free and also you reply to my messages for free. Maybe I’m just expecting too much.
Leo
troy I like your image and your goal!
troy I like your image and your goal!
this is a very strong image, bravo
this is a very strong image, bravo
Hi Marc —
Just found your site…appreciate what you are doing here. My goal is to create strong images that represent my own vision and that might be considered fine art.
Hi Marc —
Just found your site…appreciate what you are doing here. My goal is to create strong images that represent my own vision and that might be considered fine art.
My goals. I want my photography to become my fulltime job. Meaning my work is good enough to gain the respect of clients who trust in my ability. Wether portraits, fine art or special requests. To advance far enough
to satisfy my thirst. Think Annie Leibovitz, Ansel Adams, to become a true Master at this craft is my ultimate destination.
My goals. I want my photography to become my fulltime job. Meaning my work is good enough to gain the respect of clients who trust in my ability. Wether portraits, fine art or special requests. To advance far enough
to satisfy my thirst. Think Annie Leibovitz, Ansel Adams, to become a true Master at this craft is my ultimate destination.
I would say to move in more. try to visualize the story you want to tell and move around and frame it until you have it. This is good practice for seeing shots https://www.silberstudios.com/blog/2010/05/ansel-adams-workshop-lesson-1 keep going!
I would say to move in more. try to visualize the story you want to tell and move around and frame it until you have it. This is good practice for seeing shots https://www.silberstudios.com/blog/2010/05/ansel-adams-workshop-lesson-1 keep going!
very interesting shot, good on capturing the moment (earlier it said this was Corey, but indeed it was Marc 🙂
very interesting shot, good on capturing the moment (earlier it said this was Corey, but indeed it was Marc 🙂
Great Mark, that’s what we love to hear, and all that we ask in exchange for our free content is to spread the word and help us grow!
Great Mark, that’s what we love to hear, and all that we ask in exchange for our free content is to spread the word and help us grow!
Thanks for your answer, Marc, I’ve watched the shows.
Do you have any individual advice for me, based on my two pictures shown here?
What do you like about them? What don’t you like? What should I have added / omitted in these two photos?
Thanks,
Leo
Thanks for your answer, Marc, I’ve watched the shows.
Do you have any individual advice for me, based on my two pictures shown here?
What do you like about them? What don’t you like? What should I have added / omitted in these two photos?
Thanks,
Leo
I just did watch Florian’s video as well as Jim Goldstein’s. They both were very helpful. I really appreciate what you do here with the blog and videos. They are part of what has helped me progress rapidly from a shaky start. And I am spreading the word to all I meet that ask about photography. Thanks again.
I just did watch Florian’s video as well as Jim Goldstein’s. They both were very helpful. I really appreciate what you do here with the blog and videos. They are part of what has helped me progress rapidly from a shaky start. And I am spreading the word to all I meet that ask about photography. Thanks again.
this is a good clean image. Keep going! Watch Florian’s video https://www.silberstudios.com/videos/florian-schulz-nature-photo-tips
this is a good clean image. Keep going! Watch Florian’s video https://www.silberstudios.com/videos/florian-schulz-nature-photo-tips
I just started with DSLR in November 2009 and soon found myself focusing on wildlife photography. I know this is a tough market, but my goal is still to become at least a semi-pro and have some photos published and prints sold. This is one from my last trip into nature. And thanks for doing this.
I just started with DSLR in November 2009 and soon found myself focusing on wildlife photography. I know this is a tough market, but my goal is still to become at least a semi-pro and have some photos published and prints sold. This is one from my last trip into nature. And thanks for doing this.
Leo have a look at my video with David Smith for good advice for wildlife photographs https://www.silberstudios.com/videos/david-smith-animal-and-nature-photography-tips
also our last 2 videos cover this as well
Leo have a look at my video with David Smith for good advice for wildlife photographs https://www.silberstudios.com/videos/david-smith-animal-and-nature-photography-tips
also our last 2 videos cover this as well
Marc,
thanks for your reply. I’m not sure if I understand what you wanted to say with your comment… What exactly is missing? Can you give an example?
I’ve added another image, not exactly from the same sequence, what do you think?
Thanks again,
Leo
Marc,
thanks for your reply. I’m not sure if I understand what you wanted to say with your comment… What exactly is missing? Can you give an example?
I’ve added another image, not exactly from the same sequence, what do you think?
Thanks again,
Leo
yes the story of the forgotten station & what you found. This image might fit in with a series like a photo essay or you might have one that stands alone. Look at the others you shot at that time and see…
yes the story of the forgotten station & what you found. This image might fit in with a series like a photo essay or you might have one that stands alone. Look at the others you shot at that time and see…
Leo–we need a point of interest. the photo tells that you were close, but its not framed so that I know what I am to look at and ideally get a story from… do you have other images in that sequence?
Leo–we need a point of interest. the photo tells that you were close, but its not framed so that I know what I am to look at and ideally get a story from… do you have other images in that sequence?
Hey, Marc,
do you have any advice for me? Any comment on my photo that helps me to advance with my photography?
Thanks,
Leo
Hey, Marc,
do you have any advice for me? Any comment on my photo that helps me to advance with my photography?
Thanks,
Leo
Thanks Marc. What are you thinking? Is it a person that’s missing (not just any person, but the ‘right’ person)? Or do you think it’s the lack of surroundings? The photo was shot on very small and forgotten railway station and I imagine that this is the story you’d like the picture to tell.
Thanks,
Andreas
Thanks Marc. What are you thinking? Is it a person that’s missing (not just any person, but the ‘right’ person)? Or do you think it’s the lack of surroundings? The photo was shot on very small and forgotten railway station and I imagine that this is the story you’d like the picture to tell.
Thanks,
Andreas
there you go Matthias!
there you go Matthias!
Thanks Marc for your advice. Here a shoot from yesterday where I had your comment in mind and try to get it done…
Thanks Marc for your advice. Here a shoot from yesterday where I had your comment in mind and try to get it done…
this is a good image but needs another element to make it pop– and tell a story.
this is a good image but needs another element to make it pop– and tell a story.
BTW is Marc not Corey 😉
BTW is Marc not Corey 😉
this is a good image but needs another element to make it pop– and tell a story.
this is a good image but needs another element to make it pop– and tell a story.
Hi Marc,
thanks for the opportunity to be part of this and to get some feedback.
My goal is to more concious of the photographic decisions I make. For example, I often tend to snap away in the hope to have a good shot in there. I also tend to use either the smallest or largest apertures on my camera and I’d like to use the middle ones more. I think ultimately though it all leads to the desire of being able to go somewhere (functions for example) and take some good shot which capture the event and tell the story.
I also haven’t yet worked out my preferred style, and that is something I’d like to develop of the coming months and years.
So, attached is a photo that I’m happy to share.
Hi Marc,
thanks for the opportunity to be part of this and to get some feedback.
My goal is to more concious of the photographic decisions I make. For example, I often tend to snap away in the hope to have a good shot in there. I also tend to use either the smallest or largest apertures on my camera and I’d like to use the middle ones more. I think ultimately though it all leads to the desire of being able to go somewhere (functions for example) and take some good shot which capture the event and tell the story.
I also haven’t yet worked out my preferred style, and that is something I’d like to develop of the coming months and years.
So, attached is a photo that I’m happy to share.
yes very close!
yes very close!
very interesting shot, good on capturing the moment
very interesting shot, good on capturing the moment
My goal this year is to strengthen my street journalism. This image was captured as a piece of luck. I spotted these women looking at Niagara Falls and as soon as I composed and snapped the shot they were gone.
I really appreciate your dedication and always look forward to your wisdom.
thanks Marc
My goal this year is to strengthen my street journalism. This image was captured as a piece of luck. I spotted these women looking at Niagara Falls and as soon as I composed and snapped the shot they were gone.
I really appreciate your dedication and always look forward to your wisdom.
thanks Marc
Thank you Mark. I agree. Techncally good but she is stiff. Fashion is an area in which I’d like to venture down along with classic portraiture.
Thank you for your time, Mark.
Regards
jim
Thank you Mark. I agree. Techncally good but she is stiff. Fashion is an area in which I’d like to venture down along with classic portraiture.
Thank you for your time, Mark.
Regards
jim
My short term goal is to get a photo published somewhere, not necessarily to be paid for it yet; but long term I’d like to make a 2nd career out of photography, after I’ve earned my retirement from my day job. I’m mostly a nature photographer, but not being able to afford a long lens, I focus on the little things. (which means I take a log of pictures of bugs and flowers)
My short term goal is to get a photo published somewhere, not necessarily to be paid for it yet; but long term I’d like to make a 2nd career out of photography, after I’ve earned my retirement from my day job. I’m mostly a nature photographer, but not being able to afford a long lens, I focus on the little things. (which means I take a log of pictures of bugs and flowers)
I will, and thank you for the advice.
I will, and thank you for the advice.
yes the context adds a lot of interest if you’re able to, or perhaps present as a series as in a photo essay
yes the context adds a lot of interest if you’re able to, or perhaps present as a series as in a photo essay
Marc – I guess this photo needs some context. Here I was out shooting in a small fishing village. The women wait each morning for the fishermen to arrive home. Afterwards a frenzy happens as each tries to get the best fish for the best price. This woman was happy to pose whilst waiting for the fishermen. I went for a close up here because I loved how interesting her face was. Do you think it needed a background element to give more of a story? I’ve added a couple more images which might help with the story. One is the fish arriving and the other is the fish being moved from the smoking house.
Marc – I guess this photo needs some context. Here I was out shooting in a small fishing village. The women wait each morning for the fishermen to arrive home. Afterwards a frenzy happens as each tries to get the best fish for the best price. This woman was happy to pose whilst waiting for the fishermen. I went for a close up here because I loved how interesting her face was. Do you think it needed a background element to give more of a story? I’ve added a couple more images which might help with the story. One is the fish arriving and the other is the fish being moved from the smoking house.
you’ve got it Texas! Send me a shot
you’ve got it Texas! Send me a shot
interesting use of “frames” but I’d like to see the foreground sharper especially since it’s so prominent. Did you use a tripod? This shot calls out for one
interesting use of “frames” but I’d like to see the foreground sharper especially since it’s so prominent. Did you use a tripod? This shot calls out for one
Living in rural Minnesota there are so many old farm buildings that I drive by everyday on my way to work. I’d love go get better at capturing the mood and character of these old buildings.
Thanks for the great web site.
Living in rural Minnesota there are so many old farm buildings that I drive by everyday on my way to work. I’d love go get better at capturing the mood and character of these old buildings.
Thanks for the great web site.
Thanks Marc – my goal is rather brash…. I’m going to be one of the best landscape photographers focusing on Texas. 🙂 Texas has such a diverse geography; there’s enough out there to keep me busy for a bit. I love this state and want to share that passion with others.
I purchased my first DSLR about this time last year and I’ve already learned a ton – largely from folks like you who share information so graciously – and I’ve got a ways to go.
But mark my words, I meet my goals. 😉
Thank you for your opinion, it is valued.
Thanks Marc – my goal is rather brash…. I’m going to be one of the best landscape photographers focusing on Texas. 🙂 Texas has such a diverse geography; there’s enough out there to keep me busy for a bit. I love this state and want to share that passion with others.
I purchased my first DSLR about this time last year and I’ve already learned a ton – largely from folks like you who share information so graciously – and I’ve got a ways to go.
But mark my words, I meet my goals. 😉
Thank you for your opinion, it is valued.
good shot might want to keep foreground sharp, watch our next episode on Friday https://www.silberstudios.com
good shot might want to keep foreground sharp, watch our next episode on Friday https://www.silberstudios.com
I want to take better wildlife photos–even if the only wild sort of life available around here consists of frogs, deer, and squirrels. 🙂
I want to take better wildlife photos–even if the only wild sort of life available around here consists of frogs, deer, and squirrels. 🙂
Great thanks Marc i will watch the video and follow your greatly appreciated advice.
Great thanks Marc i will watch the video and follow your greatly appreciated advice.
Thank you, that’s helpful – the branch is clearly too far into the image, with insubstantial foreground interest.
(And it’s really interesting reading all the other comments here too – thanks very much for doing this!)
Thank you, that’s helpful – the branch is clearly too far into the image, with insubstantial foreground interest.
(And it’s really interesting reading all the other comments here too – thanks very much for doing this!)
good work BUT keep pushing yourself to next goal!
good work BUT keep pushing yourself to next goal!
Thanks Marc. Means a lot to get your opinion on my image.
Image number one for the collection.
Thanks Marc. Means a lot to get your opinion on my image.
Image number one for the collection.
very strong image. What’s your goal?
very strong image. What’s your goal?
Stephen, this is the same as above, if you keep shooting and loosen up and let her relax you’ll get her natural side… send me another after after you watch the video
Stephen, this is the same as above, if you keep shooting and loosen up and let her relax you’ll get her natural side… send me another after after you watch the video
good shot but a bit stiff go for the shot between shots. Listen to MJS https://www.silberstudios.com/videos/matthew-jordan-smith-fashion-photography then send me another
good shot but a bit stiff go for the shot between shots. Listen to MJS https://www.silberstudios.com/videos/matthew-jordan-smith-fashion-photography then send me another
that image really works, sell it!
that image really works, sell it!
it’s a good shot but doesn’t pop, I’d move in more on the branch, find more of the story of this shipwrecked branch
it’s a good shot but doesn’t pop, I’d move in more on the branch, find more of the story of this shipwrecked branch
very good it works
very good it works
good but you need to frame it. Have a look at how Ansel presented thsi oak http://www.anseladams.com/index.asp?PageAction=VIEWPROD&ProdID=2216
good but you need to frame it. Have a look at how Ansel presented thsi oak http://www.anseladams.com/index.asp?PageAction=VIEWPROD&ProdID=2216
good one bu why crop so tight, let me get more of the story
good one bu why crop so tight, let me get more of the story
good keep going and put it together, send me a really strong portrait not profile
good keep going and put it together, send me a really strong portrait not profile
Neil– I like where you’re going with this one but I don’t quite get the story, I’d like to have you step back a bit on this one or somehow show me the story of this woman
Neil– I like where you’re going with this one but I don’t quite get the story, I’d like to have you step back a bit on this one or somehow show me the story of this woman
good shot I’d keep the foreground sharp though, so adjust your depth of field, we talk about this in out next video
good shot I’d keep the foreground sharp though, so adjust your depth of field, we talk about this in out next video
Really trying to get a better grip on lighting specifically for shooting product photography.
Really trying to get a better grip on lighting specifically for shooting product photography.
Hi Marc,
I’m looking to improve my portrait photography. I want to create something more interesting and dynamic than a standard portrait. At the moment I’m travelling in South East Asia and I’m doing lots of photography,trying different techniques. I’d like to take a more semi-professional approach when I return to the UK. I’d like to offer portraits for families and children. At the moment I’m trying to learn more and more in all areas to help with this. Attached is a recent photo I made.
Hi Marc,
I’m looking to improve my portrait photography. I want to create something more interesting and dynamic than a standard portrait. At the moment I’m travelling in South East Asia and I’m doing lots of photography,trying different techniques. I’d like to take a more semi-professional approach when I return to the UK. I’d like to offer portraits for families and children. At the moment I’m trying to learn more and more in all areas to help with this. Attached is a recent photo I made.
Hu Marc,
my goal is it to get a portfolio for fashion, hair and beauty photography done.
Your help is very much appreciated 🙂
Matthias
Hu Marc,
my goal is it to get a portfolio for fashion, hair and beauty photography done.
Your help is very much appreciated 🙂
Matthias
Goal: capturing the moment… with correct exposure!
Thanks for the help.
Goal: capturing the moment… with correct exposure!
Thanks for the help.
ah, finally made it!
ah, finally made it!
sorry, I thought I had done that, but it just said it was awaiting moderation and I assumed the picture was there. I’ll try again, and I’ll make the image a bit smaller this time…
sorry, I thought I had done that, but it just said it was awaiting moderation and I assumed the picture was there. I’ll try again, and I’ll make the image a bit smaller this time…
trying to improve on landscape photography from all areas: technical, framing, and content. thanks.
trying to improve on landscape photography from all areas: technical, framing, and content. thanks.
you’re welcome, but I don’t see your image can you reattach?
you’re welcome, but I don’t see your image can you reattach?
Goal: Product shots of wine bottles for my uncle’s wine brand. The actual goal is to do better than simple white background shots.
Goal: Product shots of wine bottles for my uncle’s wine brand. The actual goal is to do better than simple white background shots.
This is much appreciated – thank you for being willing to engage with this. I love your film interviews, and learn so much from them!
The attached image is from a series I took in February. I find I often struggle with the balance between depth of field and the softness that occurs when getting to f16, f22 etc. This is 1/30s at f13, 20mm. I was using an ND filter (I think 0.6, perhaps 0.9), though I don’t have a note of this. I was using a Nikon D90 for this, but I often also use an old FM2 with Velvia 50, and have the same softness problem. It’s a couple of hours after sunrise.
Thank you for any thoughts at all on this!
This is much appreciated – thank you for being willing to engage with this. I love your film interviews, and learn so much from them!
The attached image is from a series I took in February. I find I often struggle with the balance between depth of field and the softness that occurs when getting to f16, f22 etc. This is 1/30s at f13, 20mm. I was using an ND filter (I think 0.6, perhaps 0.9), though I don’t have a note of this. I was using a Nikon D90 for this, but I often also use an old FM2 with Velvia 50, and have the same softness problem. It’s a couple of hours after sunrise.
Thank you for any thoughts at all on this!
This is just what I have been looking for. There is nothing I enjoy more than making seascape images and would love to create a great collection of images worthy of displaying and selling to the public.
This is just what I have been looking for. There is nothing I enjoy more than making seascape images and would love to create a great collection of images worthy of displaying and selling to the public.
Goal – to become a formal classic portrait photographer
Goal – to become a formal classic portrait photographer
Hi Marc Thank you for taking the time to do this i would like to learn to take portraits and improve my photography. I use a Canon 7d. Thank you and here is a picture of my stepdaughter.
Hi Marc Thank you for taking the time to do this i would like to learn to take portraits and improve my photography. I use a Canon 7d. Thank you and here is a picture of my stepdaughter.
Great idea, and thanks!
Great idea, and thanks!