The Quality of Light: an Interview with Photographer Camille Seaman

Photograph above © Camille Seaman 2009. All Rights Reserved.

In the latest episode of Advancing Your Photography (AYP), I had the chance to interview artist and photographer Camille Seaman. Aside from having her work featured in magazines like Newsweek, Outside, Men’s Journal, Camera Arts, Issues, PDN and American Photo, Camille has also self-published several books, like Melting Away: Polar Images and My China. On top of that she has won numerous awards, including a National Geographic Award in 2006 and the Critical Mass Top Monograph Award in 2007.

The daughter of a Native American father and an African American mother, Camille offers a unique perspective on the art of photography that is at once an artistic inspiration as well as a practical set of suggestions. Watch the interview and you’ll learn all about:

1. Having a connection to your work — Raised as a part of a small Native American fishing tribe, Camille grew up knowing that she was a part of everything around her. The goal of her photography is to help people feel this connection to their planet.

2. Capturing natural light — Be sensitive to the quality of light wherever you go. Look at old paintings from the masters — Michelangelo, Rembrandt, Caravaggio — and pay attention to how they sculpt light. After sharpening her awareness to the qualities of light, Camille finds she can photograph inanimate object (like the gorgeous iceberg above) with the same intimacy she would use to shoot portraits of people.

3. The importance of your card — Camille offers an amusing if slightly scary story about a trip to Antarctica, where it was so wet that her camera strap began to unharness without her knowing. Just as she was stepping off the ship, the camera fell into a pool and was ruined by saltwater. Amazingly, her Sandisk card remained in perfect shape.

4. Composition — According to Camille, the important thing to remember when considering composition is that, as a photographer, you are trying to arrange objects in order to activate space. To do this, don’t think of the shot as three-dimensional. Think of it as a dance, where objects can interact and draw the eye, and you are the choreographer.

To see more of Camille’s indispensable advice on the art of photography, watch the newest episode of AYP. Also, be sure to check out a collection of Camille’s work over at CamilleSeaman.com.

Jeff Racheff: